August 30th, 2023

First Chick tract of the year acquired today, and the second one that’s been actually handed to me. “Friendly” guy on the bus must’ve seen my Doc Martens and corduroy jacket and assumed (correctly) that I was cavorting with the absence of God.

Sing Sing

August 22nd, 2023

Already distracted enough from the PDF textbook I’d gotten sidetracked from reading, I heard an intense, booming voice emanating through the decades old brick walls of the Student Center. From the second floor, I quickly packed my things and rushed outdoors to its stairwell balcony, searching frantically for the source. Was it some crazed preacher taking advantage of the warm weather to force his fire and brimstone speech upon impressionable youths? A local madman ranting and raving his personal truth? Yet another student protestor, this one armed with a more boisterous tone than usual? I had to know. I had to meet this man.

Turns out it was just some dude filming a (vertical!) video for The Internet. Why must today’s unapologetics be the most conformist?

“Take My Word For It”

August 21st, 2023

Thank god for classes starting up again so that I can pivot my screen time away from people making me lose faith in humanity and towards PDFs of textbooks. The weather is hot and the AC in the library is pumping. Kent State once again brims with life. I tabled at our freshman orientation club fair yesterday—so many little babies, yet over half of the girls seem to be taller than me. (Thanks, genetics.) It really does make my heart swell to be back, though. I am SO pumped.

Aside from classes and Task Force and all my friends and the best burritos in the world, I’m also very excited for the return to basic principles of human interaction. I’ve been people watching a lot online lately. Too much, in fact, and I need to stop. But the emotions and the news are pertinent, and they must be processed. I’ve been seeing a lot of exchanges online lately that are basically negative recommendations. Someone says they don’t care for something for whatever streamlined reason, and someone else agrees with zero visible actual external research on the subject. Asking for recommendations nowadays always has to come with some disclaimer. Disclaimers have become a big part of internet culture in general, and it’s a real shame. Weighing positives and negatives after even just a simple article or two or accepting that a friend likes whatever seems to be a thing of the past, in the digital sphere at least, in favor of following a herd to keep those whom we perceive as our friends or want to be our friends with. Have conspiracy theorists tainted the concept of “doing one’s own research”? Or maybe COVID as a whole wrecked us—we got so used to isolating ourselves from absolutely everyone that it has become second nature to shun anything deemed hypercharged bad buzzword, or alternatively “slime”. It didn’t even take a generation.

You might as well be taking somebody’s world for it, not just their word—one must be in to-tall alignment with the politikal perspektives of their frendos, or else we might have an astrologist’s worst nightmare on a self-worth scale: the planets are out of wack! I’m an idiosyncronous, imperfect ball of flesh on the same planet as many more of the same despite their abject differences from me! Help!

My anxious psyche leads me to distrust humans in general, but I think society has gone too far in its stagnant polarization. We bitch and we fight, to quote crappy post-Roger Waters Pink Floyd (most society as it currently stands is basically “Learning To Fly” on repeat blaring very loud in my ears, I think), and most of the time it’s about how we perceive the influence and morals of actively powerful forces in the world. You can have a great, insightful, constructive conversation about that. But we resort to stereotype and self preservation. And as those gears keep on churning in the background, as they always do and always will, we get nothing done. We forget that we have more in common with one another than we think, while preaching that same concept. But how much do we truly believe the preprogrammed responses we’ve taught ourselves to repeat?

Do we really want a free exchange of ideas, or do we crave that overtone addendum, “but only if they’re the right ones”? Do we even want to be right, or do we always need some abstract, accessible boogeyman to jab at while the powers that be pulling the strings only grow stronger? Do we want to grow stronger ourselves to someday defeat them, or do we succumb to the overwhelming complexity of the world at large and retreat to where we feel safest? Do we seek change, or do we only call for it, not work towards it? We praise the sacrifice of others, but how comfortable would we be with sacrificing ourselves—in any capacity—for the same cause?

Yet when you meet people in person, even these people, they laugh. They actually have senses of humor. They invite, most of the time. And if they repel, they repel. The intention becomes obvious. The experience can be learned from. Another side comes into view, separate from the PR-primed pop star we all fashion ourselves to be, secretly. The blood and guts are there to spill. The humanity is on full display.

And that’s why a damn good conversation beats nameless, faceless, face full of constructed ideological perfection protection any day of the week, regardless of whether or not class is in session.

Riot Grrrl Shizz?

July 24th, 2023

Saw Le Tigre last week and have been procrastinating on posting about it. T’was fun, though I was at my peak of liking their music and Kathleen Hanna in general in high school, so I guess I was going in with more jaded eyes. Case in point: in between songs at one point she was talking about making “spaces” “safer” for non-”straight, white, cis” people. Which…kind of bummed me out for a few songs. Just a few weeks prior I’d been to a show in my town where one of the openers was a bunch of local kids, the oldest of which had just graduated high school. 3/5 of the members were girls, one of them sporting a super sick afro. The pit was all female at one point (and much more existent than crowd action at the Le Tigre show, where everyone danced tamely in place until they ended the night with “Deceptacon” and spontaneously everyone started mauling each other). But the main takeaway that I got from those kids’ show wasn’t some message of “inclusion”. My takeaway was that they kicked ass. Their music wasn’t sanitized; in fact, it was actually pretty vicious. And they didn’t ask permission from anyone to do what they did. They didn’t read some book that told them how to do it, either. They were playing because it was something they loved to do, and it was their passion towards kicking ass that defined them. It would be a disgrace to that passion to try and apply tokenism to them or that night. I thought it was cool seeing a lot of fellow young women in the crowd, but I also thought it was cool that, finally, my little town has a cool little ~space~ where all kinds of people can indulge in some Maximum Volume Kick Ass Rock-N-Roll. I wasn’t consciously scanning the crowd to see how many people looked like me or didn’t. I didn’t give a shit, because I was living in the moment. Concerts are events where all different kinds of people can become one with great music. And in that moment, when you’re losing yourself in guitar feedback and physical interaction, “female representation” and “visible queerness” don’t really matter. What the hell constitutes being “visibly queer”, anyways? Certain patches or pins? Certain styles of hair? Certain facial structures? Why can’t people just be people?

Maybe I would’ve been a little more impressed if I had less life experience and more of a grudge against the concept of men. And this is coming from a physically small female from the suburbs. If anyone should have a grudge against men, shouldn’t it be me? Too bad I try not to judge people based on features they can’t really change. I just judge them on whether their taste in music is good or not. Because the superficial construct doesn’t matter much. It’s the gray matter that matters.

Kathleen ended her spiel by saying we should consider solution-based approaches to the problems in our world. Which is totally correct. But she seemed unaware that the solution is already unfolding in gritty little scenes across the country. Hence why I was…a little bummed.

July 20th, 2023

Sophia Swengel – Baby Chimera. My debut extended play!

Written, performed, arranged, and engineered entirely me in my bedroom (except for the last track, which is a Boomtown Rats cover). Four tracks, all of which are lexical, and four fingers, one of which is severed.

Bass guitar and words.

Listen on YouTube, or download or purchase a CD on Bandcamp.

July 15th, 2023

I am not too much of a playlist transcribing person. I made a few mix CDs when I was younger, and even those, which were based on the MP3s on my computer that were mostly ripped from CD, were quite hard to make. Don’t even get me started on the unspoken “one song per artist” rule.

Nowadays, many people my age make playlists obsessively from the seemingly-but-not-so-infinite stretches of cloud server bandwidth. I initially typed that I was not a playlist making person, but I do make them. My brain is the “switchboard with crossed and tangled lines” that Poly Styrene sung about – it is the wall tall bulletin board of the mad man with color coded pins and lines of string connecting the subjects and topics most disparate to the average Joe who chooses to think critically not. Those moments come in fleeting hyper associative bursts, always running away. When I catch them, I get a song or a fragment of an essay. Music and the combination of music with other forms of communication give me inspiration in life. To me, songs hold great meaning, and two songs totally disconnected from and completely, disgustingly unaware of each other can bond as soulmates – sonically, topically, thematically, emotionally. Often, most of these bonds do not even exist to the naked eye. But once you dig beneath the surface, what is abrasive can be as intense and powerful as what is seemingly numbing. The most fleeting detail, the most unimportant nugget can hold the same meaning as a guitar solo ingrained into the brain folds of millions, a stadium sized orgy of bombast.

So, my brain does make “playlists”. They just take time to build up – or they are grains of sand fucking with silent, passionate vigor the ashes of a gone-too-soon girl who died in a car crash whose boyfriend in laying her to rest at her favorite beach, like in some cheesy song sung by white girls with big hair in the sterile sixties, before the hippies took over. Sandcastles crushed by the kung fu moves of puny children.

Not To Spit In The Fan

July 2nd, 2023

I turn nineteen tomorrow. It should feel like a bigger deal to me, but it doesn’t. It feels like just another day in my life is coming up.

So many people have never lived to see nineteen. Mortality has been on my mind as of late, mainly due to family affairs, but especially after yesterday. While we were driving on the highway, we saw a reckless motorcyclist whizz by us—not the least common sight, though most of the time it’s a car instead of an exposed man. I remember his medium length brown hair catching the wind, his pale shirt whipping up to expose his suntanned back. And then—in the backseat of my father’s truck, I couldn’t see much—there was a series of tracks embedded in the edge of the freeway jungle bed, and a faint puff of smoke.

One man gone in the blink of an eye before our own; a man at once becoming one with his maker. Was it an accident, or intentional? There was no way he could’ve survived. We considered pulling over, but two cars already had, meaning it only would have been to feed our morbid curiosities. We would have gotten in the way.

I am one of the last people to survey that man while he was alive. He went out in a terrifying blaze of glory. And all we could do was carry on. If the act was intentional, there will probably be no Wikipedia article detailing his reasoning; that was an act with barely any impact on the world other than his family, friends, and its witnesses. Did he view himself as a martyr? He was no suicide bomber, but was he fighting some war in his head that he could only win through complete self obliteration?

I’ve been taking the time to myself that summer has granted me to consider this archetype—one man against a world—in relation to my own life. So much has happened this summer. I feel like a more well built person; I feel more aware of how things work. I see better now what people are fighting for.

The lone motorcyclist from the other day sought glory, but he also sought closure. He sought transgression—transgression from the image of the makeuped body neatly displayed in an ornate casket in a dusty beige funeral home. He sought a death that was thrilling. He sought a death on his own terms.

If only more people sought to live life on their own terms as he found such in destruction.

The marching masses subject themselves to the name tags and identification badges, always updated as to not offend, that those in power dole out in scratch-and-sniff candy flavors. They take pride in being liberallibertariancentristcommunistsocialisttraditionalconservativemaggot like the little boy who got a rare card to trade on the playground. We take pride in consolidating our perspectives, our opinions, our idiosyncrasies into business cards sharp as razor blades to flash at all who pass and slash at those who got sorted into another pile. But we only leave surface level paper cuts. We do not cut deeper into the fertile dirt; we do not let our true colors flow like rivers of blood. Instead, we reinforce ourselves out of fear. We do not want a soul to see the problems in our individual biologies, the DNA-level mutations that don’t fit alongside our assigned prescriptions. We don’t just fight a war within our own heads—we fight a war against our heads.

We fight a war against deviation from the norms our chosen cultures have built up for us. We lash out at our hypocrite friends without considering the inherently flawed nature of humanity. We forget that human is the only label that truly means anything. We label, we observe, we scheme, we divide. We succumb to the allure of the fascist brain. But we never conquer.

We are trapped in an ever overloading warfare—“us” versus “them”. We let people in power make problems out of things that were never problems to begin with, and we allow ourselves to play along. We follow the rising tides, the rising prices, the rising temperatures. But we save the backlash for those that the powers that be tell us to fight—or some figurehead who cut a little too deep for our liking, who may retreat but will never truly exit the stage. But those cuts still are surface level. We attack the facade but never think to pull back the curtain to find the Wizard. We trade the truth for comfort and self doubt. We build ourselves up to the point where we think we have everything to lose, to keep safe and sanitized as some supposedly upstanding example of purity and sanctity. We forget that the people pulling the strings—and maybe one lone motorcyclist—already live as if they have nothing to lose.

But living like there is no tomorrow does not equate oblivion if your will is strong enough. The people we claim—and fail—to fight against know this. Their voices would not echo on, much to our dismay, if they did not know this. We just cannot hide behind excuse any longer. We must allow ourselves the strength to make impact in the name of what we truly believe in, no matter what anyone else thinks or tells us. We must allow ourselves to take control, and then we must allow ourselves to lose control. We must allow our true colors to bleed out down the highway; and the world will drink from that endless river; and then the world’s hands will finally show their true dirtiness, with every speck of soil and gushy worm entrails creating a disgusting, entrancing, beautiful portrait of what it means to be human.

At age nineteen, I want the truth. At age nineteen, I speak my truth. At age nineteen, I reject dilution and suppression. At age nineteen, I reject the fascist brain.

Miss Washington DC

June 29th, 2023

Weekend bullet points:

  • Smash! Records is great as always, and I noticed they have a Boomtown Rats photo on their beam. PUNK. Any record store that puts Shudder To Think and Nation of Ulysses CDs on the shelf is the real deal. Also PUNK.
  • W.I.T.C.H. and Death Valley Girls at the Black Cat Friday night. Exactly the tonic I needed. DVG ended their set with “Disaster (Is What We’re After)”, or one of the best modern psychedelic rock songs, during which I got to experience my first true “pit” as opposed to flinching on the periphery. My nose got bonked. Deliscious. Then W.I.T.C.H., whose name stands for “We Intend To Cause Havoc”, did exactly what they intended to do. I love getting myself lost in music, especially recently. It’s the closest I have to a religion, having never done drugs. Getting a brand new sonic prescription, not just through headphones but supplied directly through booming amplifiers, to truly lose myself in a dark room for a short while, was exactly what I needed. To let my head bang in whatever direction it wanted to and let it swell a little. A guy in a well fitting Jesus Lizard(!) shirt, tight pants, and combat boots was totally losing it right up against the amp for W.I.T.C.H.; I saw him around a few times throughout the night between bands. These are the things I like to see.
  • The Air and Space Museum is only half open for continuing renovations. What is open to the public is dazzling. I don’t really care about planes other than the uniforms of their stewardesses, but funky colored lights showcasing worldly posters about interconnection and a watch used to keep Martian time are my kind of deal.
  • The Hirshhorn reminds the public that we wouldn’t have Infinity Rooms without sixties anti-war abstraction and naked people frolicking in the street. It was great finally seeing some of Yayoi Kusama’s work in person. An exhibition of contemporary Chinese photography really enlightened me. Work under dictatorship.

Repetition, insanity, neurosis, shining stars within conformity, hum de hum de hum…

  • The Holocaust Museum is a uniquely exhausting experience. A necessary and perspective-expanding one, but still exhausting. You reach a point where you’re trying to comprehend a placard only to slowly realize that your brain can’t take any more comprehension to begin with. You experience a very unique kind of weight and gravity. Everyone should go once in their lives.
  • The U.S. Capitol needs a new drain pipe.

Crazy Horses

June 6th, 2023

There is music that numbs you. It’s your coworker’s Taylor Swift playlist on repeat over Bluetooth while you’re stuck washing dishes for the next two hours. It’s the new Meghan Trainor single radiating out over the plaza when every one of the many restaurants in sight is packed to capacity and you’re starving. It infuriates you to the point of inaction. It blinds you with annoyance and rage. And when you hate everything, you can’t love anything. You can’t direct your passion if you are stripped of your direction.

And then there is music that makes action. It’s the music that gives your brain a shock of some brand new, never before heard sound (or maybe it was dug out of a dumpster, flipped, subverted, and churned a bit). It’s the raw sonic synergy that makes you contemplate the life you live, a life you once lived, a life you could be living. It’s the pinpoint verses and choruses that give you a new perspective or awaken some deeply suppressed code tucked between your arteries, unscrambling and rescrambling the concepts and ideas you always felt but could never articulate. It’s the music that zaps you awake from the slumber of boredom. It’s the music that surprises you. It’s the music that provides hope.

It’s the music that wants you to write a song of your own.

I swear that music is probably one of the last bastions of intellectual potential in today’s world.

Paint It Black

June 5th, 2023

I’ve been thinking a bit lately about an online exchange I had…it had to be years ago at this point. It was regarding the Devo cover of “(I Can’t Get No) Satisfaction”, and this person who loved both the Devo and Residents covers basically said that they had “no desire” or “need” to listen to the original Stones version. Which came off as so…weirdly close minded to me. Yeah, you’re able to take music that is borderline unlistenable, that comes off as pretty “open minded.” You’re so *cool* and *sophisticated* for listening to that in your spare time. But you’re not even going to listen to *try* listening to the original version of the song and put those covers in context? You’re just going to dismiss it without considering why those groups would have covered it in the first place?

I get being turned off by “classic rock” but choosing ignorance in the name of looking *weird* and *quirky* of how we got here isn’t going to do you any favors. Pink Floyd and The Who introduced me to the concept of music as a serious art form when I was a kid. Exploring my parents’ eclectic CD collection opened me up to all sorts of different music and planted the seeds for my own independent exploration. Don’t let your exploration of all that life has to offer be defined by sticking within a carefully defined set of restrictive borders. No matter how “cool” you think you are as a result.