And then the nerds re-congregated, and DEVOtional Saturday happened.
And what a de-evolved time it was.
The Jimmy Psycho Experiment, who have been DEVOtional openers for a few years now, set a relaxed mood well with their tiki-loungey versions of everyone’s favorite DEVO hits. Attention soon shifted towards the many special guests, whose Q&A sessions took up a good chunk of the night. Good old Mark was back for round 2, though he was slightly more subdued when compared to his misdemeanor on Friday. DEVOtional old timer Jerry Casale, who almost always comes out to support the fans, brought with him the music video premier of his next single, “The Invisible Man.” Without spoiling too much for everyone who wasn’t there, it was hands-down one of the most amusing things I’ve ever witnessed, and it only makes me more fascinated about what exactly goes on within Jerry’s mind that could make him conjure up something so perfectly, undeniably wack. But you’ll all see it in a few months.
Steve Bartek, the guitarist on Jerry’s recent music who is best known for his work with Oingo Boingo, joined Jerry in looking very smart and answering questions. I didn’t get to talk with him at all, but he seemed like a really genuine guy. The dark horse of the program, however, was one Michael Schwartz, better known as Rod Rooter, DEVO’s evil manager from way back. Throughout the night, Mike seamlessly incorporated his character into his talk-talk to the point where I initially genuinely wasn’t sure if he was joking or not when he discussed being the first white guy on King Records with a song produced by James Brown. (Spoiler alert: he WASN’T).
Sometime before DEVOtional started, Max had the brilliant idea of making Rod an entire election campaign which proceeded to snowball from a joke to people on Facebook actually buying made-to-order polo shirts emblazoned with the phrase “America’s Begging For The Barrel Room.” The virus had spread so far that Max didn’t even have to give Mark one of the campaign buttons he was handing out; he had already been given one by someone else. With Mike’s charisma and wit, I wouldn’t hesitate to vote in his favor, and I can’t help but hope he becomes a mainstay. (“The Man” did approve of Max’s effort, by the way.)
Max signed one of his posters for him while I stood by, causing him to ask Max in character, “Is THIS your GIRLFRIEND?” Max would go on to be very fixated on the fact that Mike was a few hours early to the punch on that.
Jerry, Mark, and the rest were signing items for hours. I heard someone say their autograph session clocked in at over three hours, which blows my mind and makes me want to pray atheist style for their dominant wrists. Max used the opportunity to gift Mark and Jerry bags containing some of his original music and hand decorated lab coats, with airbrush art for Marky and colorful tampons for Jer-Jer, while I stood by as photojournalist and emotional support.
(Jerry sadly didn’t try it on for us in person, but the photo he uploaded later more than makes up for that.)
I wasn’t immune to the photo opportunities, either.
All the while, Al Mothersbaugh’s band, Massive Hotdog Recall, brought the party as usual, proving that “Shout” can be a good song if you add some non-synthetic, whip-spankin’ horns to it. New Devolution, an energetic tribute band who came all the way from Chile to perform, followed by plowing through high-power early 80s DEVO tracks. The fun factor was through the roof as the spontaneously generated giant helium balls the crowd was serving around threatened to make a dent in it.
After the raffle, which I did not win anything at, the highly anticipated Fight Milk, who were not balls, took the stage. They exemplified the fun factor just like last year, but having more than one guy on the stage again (while retaining last year’s cardboard cutouts) totally elevated their energy. Alongside Jackson, the band’s creative mastermind and sole constant, it was great having Tavi from Finland back onstage, whether he was flashing a creepy smile at the audience with down pitched vocals or scurrying around the stage wrecking his guitar strings. Those boys be DEVO.
Max was also making his live performance debut, and he absolutely killed it. Not many other DEVOtional performances would both perform a song that hadn’t been performed since 1974 and make the live debut of Jerry’s latest single. (TAKE THAT, OLD MAN! Just kiddin’.) Max took lead on both, and it was so great seeing him in his element. It truly wouldn’t have been the same without him up there in that goddamn tampon coat hurling his Rod Rooter buttons at the crowd. I even caught a photo of one in mid air! I love blinding everyone with the flash from my camera.
Detention finished off the night, though I sadly didn’t get to see most of their set because, deja vu, I was too busy having a conversation in the Ballroom’s bar the room over. (I got to hear their Steve-tribute cover of Oingo Boingo’s “Little Girls” in muffled format, though!) At least I did get to chat with their singer Elliott, who I’ve bumped into a few times on the Kent campus, beforehand. Us Kent chicks gotta stick together.
And then, just like that, the night had winded down. Everyone packed up, stumbled out of the ballroom, and hit up Ubers back to their hotels. And then it was over.
Did it beat last year’s for me? No. That year was too special! But I’ll gladly let it be the first loser.
And hey, I got a boyfriend out of this one, so I guess that’s a plus.
DEVOTIONAL. I called it “a bunch of nerds in a room” last year, and I stand by my previous classification of this excruciatingly nerdy event. Keep it wack, Cleveland.
But indulging in nerdy activities also allows one to see some impressive musical acts, engage in fascinating conversation, and see friends old and new that you’ve been waiting the whole year to get all in their faces calling them what they are: “NERRRRDS.” In short, it’s one of the most weekends of the year.
Fridays at DEVOtional are usually held in the tavern of the Beachland Ballroom, yet so many tickets sold this year that they had to move it to the main room. It was truly surreal. Yet it worked like a charm, and if anything, it just extends the excitement of Saturday, so if it’s what we gotta do to get all those nerds in that goddamn room, I’m good with it.
A good pal of mine, Malcolm Tent, truly opened this year’s installation with a set of “unwanted DEVO songs.” He’d been advertising it on Facebook for at least a week leading up to the event, and it definitely lived up to the hype. While I expected an acoustic set from the times he’s previously played DEVOtional, he instead unleashed a slew of mind-crushing electronic loops straight out of the rubber factory as he gestured the lyrics to “I Desire” like twisted spoken word. David Kendrick, who drummed for DEVO, frankly obliterated the skins for the last half of the set as Malcolm shredded his yowling electric guitar with a loose drumstick. It was beautiful, and dare I say it was the best set of the weekend. But we’ll get to Fight Milk in a bit.
Malcolm was also the one who recruited me to create the art for the back of an album exclusive to this DEVOtional, DEVOted. It’s an intentionally bootleggy compilation of live tracks from past years, and it’s pretty damn DEVO all around. I’m proud of how my back cover turned out, and I’m glad I was able to lend a hand.
The BIG news was this year’s most esteemed first-time attendee, Mark Mothersbaugh himself. I remember the state of disbelief I was in when I saw his name on the DEVOtional flyer when it was first made public. Just about everyone who has ever gone to a DEVOtional had been going back and forth about Mark’s not being there for years, and he finally decided to give it a shot. There he was on Friday night, taking videos of bands on his phone and excitedly talking with his loyal followers. When I reminded him that I fake-punched him in New York last May by waving my fist at him, he took my wrist and yanked it at his chin and made me actually sock him. I could actually feel it in my fingers for a few minutes afterwards. During one of the bands I looked across the room and saw him take a giant bite out of the sleeve someone’s copy of oh, no! it’s DEVO. After the weekend was over I got to see photos on Facebook of him with other people’s phones in his mouth. He. Got. CRUUUUUNK. And it was glorious.
Max got to nerd out to him about Mark’s brother Jim’s old school electronic drum kit from the seventies, and Mark filmed him doing it, so that footage exists on Mark’s phone. Ah, technology.
The Akronauts, who mixed energetic DEVO covers with originals, followed Malcolm. They brought the fun and the funky basslines. Poopy Necroponde, who turned my brain inside out last year, followed, though this year they probably got closer to blowing my ears out! I’m glad my ears got the break they deserved after this weekend, especially from Morgan PC’s hardcore de-vo squelches and voiceboxes! Both bands really bought the fashion, with white jumpsuits and neon blue berets respectively. The latter’s bass player remains one of the coolest women in existence with her stage presence alone.
I completely missed Weird Paul Petroskey’s closing set, which I’d been highly anticipating, because I was too busy having a conversation with an old school University of Akron alum outside, so I bought some of Paul’s CDs to make up for it. That was a reoccurring theme of the weekend: missing things because I was too busy being engaged in gripping talk with cool elders.
For such a shakeup, it ran smoothly as ever. Every act was energized to the max, and there was really was plenty of great conversation to have, whether it was with old friends, new friends, or Mark Mothersbaugh hopped up on Bloody Marys. It was a pretty damn great prelude to the jam packed Saturday that followed.
In the past week, I became the subject of numerous jokes about how I was going to need four blog entries for that past weekend alone—it later multiplied to six—because of all the events that got jam-packed into three and a half weary, weary days. Three days that contained my personal favorite nerd gathering, the DEVOtional, and would go on to comprise possibly the most roller coaster-like weekend of my life thus far.
Welp, after over a week, here it comes.
The aforementioned weekend really kicked off on Thursday (though I had a class the next morning). The members of DEVOtional veteran act Fight Milk, having come in early for rehearsals, found time in their schedule to come down to good ol’ Kent State so I could show them around.
I’ve been seeing Fight Milk at DEVOtional since 2019, and it’s been wild seeing them morph and mutate into what they are now. Not only do they always bring the most extreme amounts of fun, they also really get what DEVO is all about in a way. They are dedicated, and they respect what those old fogies were doing while still maintaining a Gen Z flair. Add that all three of their performers this year were coming from such long distances—lone constant Jackson from Seattle, Tavi from Finland, and Max from San Diego—and it only felt fitting that they should get to see where DEVO all began.
The first up important locale was Governance Chambers, the site of both the “Jocko Homo” music video and DEVO’s second ever show, in the Student Center. Luckily, one of its sets of doors was unlocked and no one was in there, so we slipped in without even a whimper from anyone actually working in the building. URBAN EXPLORATION! It was a great joy seeing the guys be such nerds in there, ESPECIALLY Max, the guy who, you know, covered the entirety of that second show.
They also did some obligatory Mark Mothersbaugh poses:
Before heading into town, I got to show them the site of the shootings on May 4, 1970, which DEVO’s bassist witnessed and credits with being the catalyst of the band. You would figure that the place where DEVO was born, and a place so historical at that, would be at least somewhat noteworthy for people to visit when they’re coming up for the DEVOtional every year. At least we got to do our part.
It was a solemn experience walking down to the victory bell on the commons and looking down on the Taylor Hall parking lot from the perspective of the National Guardsmen who killed four and wounded nine that day. But it was a worthwhile and important one, and all three also enjoyed the visitors center inside Taylor Hall as well, with all its artifacts providing context.
We also stalked through McGilvrey Hall, which has some May 4 related displays on its first floor and is generally an incredible time capsule of the mid century in terms of its hallways. We peeked into the auditorium in Cartwright Hall, where DEVO have performed—there was a recital going on!—as well.
After some aimless wandering, we headed down the esplanade into town, got handed some Get Out Of Hell Free cards by some old dude, and made our way towards Water Street, which contains a row of buildings that can be seen in the video for “Secret Agent Man.” More nerd behavior ensued.
When that was all said and done, our next goal was sustenance. Taco Tontos was on the menu. On our way down, we ended up running into a poster for DEVOtional, the whole reason these three nerds were here in the first place. We still don’t know the culprit.
We would then discuss all the secrets of the group’s set list while Tavi ate the best burrito he’d had in his life. Actually, we all ended up getting burritos. What weirdos. How deviant from the norm. Another important lesson realized by these friends: Taco Tontos never disappoints.
We made our way back to the campus one last time so the guys could get an Uber and rest up for Friday’s activities.
It was an absolute blast showing the guys around, and it felt like a natural way to kick off the weekend. For me, it was definitely more than satisfying getting to see Kent State finally get some acknowledgment—especially from some talented nerds who have been finding themselves on the forefront of…whatever this modern battleground is. After all, you can’t go forward without knowing your history.
Walking through campus with a warm cup of coffee in my hands listening to Sleater-Kinney on my iPod getting to wear my jacket for the first time here because it’s my first ever windy fall-like day on campus felt pretty RAD.
DEVO weekend report coming when my two writing assignments that are actually getting me a grade get wrapped up.
On Wednesday night, the seaport district of New York City was overtaken by hordes of beautiful mutants. It would have been my third to last day of high school had I not taken two days off to throw down with some enlightened brethren to see DEVO, that de-evolution band who have been soldering on for forty-nine years now. The show they put on did nothing to dent the reputation they’ve built up for themselves.
We arrived in NYC a few hours before the show started and ushered our way down to the waterfront as quickly as we could to mingle with spuds. Energy domes of many colors and persuasions—classic red, blue, black, mirror ball—sat on many heads. (I wore mine on the way to New York, getting many compliments and side eyes in the process, but ended up leaving it in the hotel room due to its bulkiness.) I spoke to many friends I hadn’t seen in months and others that I had long anticipated meeting in person.
The show marked the first time I had ever taken an escalator to a concert. The herd was guided up a good three or four of them to the roof of the complex where the stage was located. The entire scene was very swanky, something DEVO deserve after years of toil and the steaming hot weather of the festival they played in California last weekend, which was a talking point among its attendees. The buildings of New York City towered in the distance. The noise they made probably echoed out over the water and over the city like the ring of a gun.
Thanks to my bodyguard duo of friends Chaim and Rachel, I was easily able to assume my usual DEVO position: right up against the guard rail. Much like my last fling in Chicago, I found myself directly in front of Jerry’s synth bass setup.
Rod Rooter’s sardonic address, familiar to us from Chicago, opened the show once more. And to quote the New York Dolls, something must’ve happened over Manhattan, because the sheer energy that DEVO brought was monstrous. Every member was absolutely in their fullest de-evolved element. I would have never expected to see Jerry smile so much during a DEVO show. He was clearly having the time of his life up there, especially during my favorite live offering of theirs, “Secret Agent Man,” when he let his tongue wag around like he was in autopilot ecstasy.
The guitars were sharp as usual—Bob 1’s sonic attacks at the audience came out very nicely, especially as he snapped his strings during his frazzled “Mr. DNA” solo. The stoic Josh 2 wielded a brand new custom axe that blended in well with his radiation suit while Josh 1 slammed the skins with alien precision from stage right.
And of course, Mark Mothersbaugh, certified birthday boy, gave a fittingly good show, even if the large speaker box in the way of my view reduced him to a disembodied head and sometimes obscured him entirely many a time throughout the night. The rest of the time, he came out far enough for my part of the audience to bask in his de-evolved glory.
And even when DEVO wasn’t singing, they had the crowd by the collar. Jerry gave a bitter, all-too relevant monologue to the “spuds, spudesses, and everyone in between on the spectrum” in the audience before “Jocko Homo,” lamenting the sad worldwide spread of de-evolution—when it comes to good ol’ DEVO, politic and stage presence are not mutually exclusive. Later, the certified birthday Booji Boy of the night came out at the encore to throw energy dome shaped cookies—wrapped in COVID-safe prophylactic baggies—at the crowd. He monologued about DEVO’s dead cool friends rising from their graves and crawling to the venue while Jerry looked on with the most glorious, bug-eyed face I’ve ever seen. And then it was over.
But not yet for me.
Shortly after arrival I learned that I alongside a few other young alien types were not only invited to meet the band in the dressing room but also to the after party (thanks, Michael!). The “dressing room” was a vast little room that everyone was crowded into one third of, by the door. It was in this space where I found myself face to face with Mark Mothersbaugh himself. Scared and intimidated by his form, I had to put my oft-neglected self defense skills to use before he could pounce first.
Not too rusty. After this photo he wanted to make sure it turned out well for the memories. That rascal.
I also got to remeet Bob Mothersbaugh, who remembered me from DEVOtional 2019, and talk to Josh Hager, who proved to be just as kind in person as he’s been to me via Fakebook. Jerry was in a rush—with “a lot of crap to deal with”—and I barely caught him.
After the room had cleared out, the after party was next in our targets. Set in a even smaller but equally swanky restaurant on the first floor, the room was packed with people, many of whom I didn’t recognize. I had never encountered such a busy, socialite, adult event, but I was able to mingle my way around successfully, talking to old friends and even a few new faces.
I bumped into Mark again, mentioning my plans to attend Jerry and his alma mater, Kent State University. He gave me a sticker of DEVO’s newest logo, a golden compass with energy dome accents that the band members wore on their chests during the show, as a sort of congrats cookie. I did the same when I caught back up with Jerry later in the night. By that time he had relaxed from whatever had been going on in the dressing room. He seemed very happy to hear about my plans!
As the night went on, much of the party became a delirious and beautiful blur to me, the result of a positive disorientation. More and more delicious looking food was placed on a sleek, long white table throughout the night, and numerous times servers with swanky snack foods asked me and whoever I was speaking to if we wanted to try. The cake for the birthday Booji Boy, adorned in energy domes that were apparently marshmallow, came out some time during the night as Jerry serenaded Mark very enthusiastically. I ate a slice, even though I wasn’t hungry. There was talking, talking, and more talking. And it was amazing.
And then I rode home the next day and attended my final day of high school the day after that, an undercover agent as my peers remained totally unaware of the events I had witnessed just hours earlier.
As you have heard me say on this blog too many times already to count, DEVO holds a continuously relevant presence in our society whether you want it to or not. And while the majority of the world still sees them as just some harmless, kooky one-hit-wonder from the 80s, their philosophy runs much deeper and darker than wiggly lines and bright colors suggest, and it dates back to the seediest early seventies basements of Kent, Ohio, places where new wave sheen would never dare to shine. DEVO were in the trenches, residents of Ground Zero, witnesses to de-evolution in action.
It just so happens that their second ever public musical communication of their de-evolutionary theory happened 48 years ago today. (Can you believe it’ll be 50 years since their first show next year?) As a partial live recording of the concert surfaced last year, current de-evolutionary scholars have a better idea than ever of what that early gestational period was like before Akron catalyzed DEVO’s big break, overshadowing Kent’s undeniable birth of the band.
One such scholar, my good friend and collaborator Max Devo (AKA Zhir Vengersky) has summed up the events in a brilliant little essay he wished to have me expose to the world. I was more than willing to handle the job. I’ll stop my spiel now and turn the microphone to him.
I updated the DEVO web archival site me and a friend started years ago for the first time since literally last summer. Just as a reminder that it exists.
If you can stretch that definition like a rubber band, you can squeeze DEVOtional within the resulting lasso. It makes the gathering sound not very exhilarating. DEVOtional 2021 was not that. I had been awaiting the weekend for over two years, since COVID-19 turned 2020’s event virtual. I was excited to once again witness a disparate gaggle of hipsters, super freaks, and disco dancers celebrating the existence of DEVO, the De-Evolution Band, over two days of de-evolved joyful noise. After months of slump, we were vaccinated and recharged, and the rubber band was about to snap from the pressure. It had been too long.
It took five and a half hours of highwaying it to Ohio Friday morning to make it to the hotel, where the fall foliage and afternoon sun greeted us warmly against the frigid wind. The refuge of our hotel room was crucial for primping and resting up between days.
As the sun began to sink and the chills intensified, we drove to the Beachland Ballroom some twenty minutes away on the outskirts of Cleveland. The small side tavern was intimate, granting me the chance to connect with friends who I had, for the most part, either not seen in over two years or only knew from the internet. Everyone was jittery to get back into the groove of socialization, taking photos fervently in attempts to preserve each moment.
As the night rolled on, the stage, which was almost the same level as the floor, became a showcase of some of the most interesting arrangements of DEVO songs to grace anyone’s ears. One man band Eric Nassau brought loop pedal preciseness to his passionate acoustic guitar, pulling eyes as his tongue clicks, “la-la”s, and whistles were looped and sampled on the fly with the press of his feet. Listening to an audio recording, one may assume he had at least two other guitar players and a beat boxer accompanying him. He was a man-machine with a heart full of soul.
Poopy Necroponde and the Louisiana Fudge Patch Kids followed, subjecting the crowd to a hypnotizing mutant drone-groove that hit like spiked psychedelics. I was entranced by the motley gang on performers: two drummers, women in dashing white hoods and sunglasses looking like vagrants of a post-apocalyptic desert wasteland, a masked drag queen, a tiger print tracksuit bro, a helmeted scrub mutant in heels, and, most normally, Poopy looking like your average indie rocker in a backwards cap and jeans. They were the ones who were kicked out of the circus for suggesting they incorporate more brown notes. As they brought their seemingly endless blast of sonic terrorism to a close, I looked around me to realize they had cut the population of the room down by about half. I stayed. In fact, I wished their set had gone on longer. I was left fascinated and without words. All I knew was that nothing was going to beat Poopy’s platter that night. The crowded bodies slowly refilled the room, a warm refuge from the November weather—until a subtle chill took residence in the air and never dissipated, presumably because someone turned on the AC. After a peek into the Beachland’s basement shop, I departed as the hyperactive Fantastic Plastics live streamed their neon-embodying performance. I needed to rest up for the real big day to follow.
The night’s sleep then gave way to Saturday. Food, shopping at the plaza outside the hotel, food, primping, then back to the Ballroom. The main floor was open, and despite its recent renovations, the place still looked and felt the same as I remembered it. Rows of folding chairs filled the center of the room; merch tables lined the walls; DEVO posters hung high juxtaposed with polka paintings and musty curtains. Assorted freaks and geeks milled around examining the purchasable wares and chatting amongst each other. It was good to be back.
The Jimmy Psycho Experiment kicked off the event about a half hour after I arrived with techie-lounge instrumental arrangements of classic DEVO tracks. The lack of words didn’t keep the crowd from singing along to the ones they remembered—I remember the chorus to “Freedom of Choice” getting a particularly intense treatment. Everyone seemed happier than ever to be uniting once more in that little room.
The event’s special guests also helped provide support. I said hello one time to David Kendrick, who drummed for DEVO in the late 1980s, and I did not get to speak at all to comedian Fred Armisen, who took up drum duty for the band once in 2018, but many others enjoyed getting to speak with them. More power to them.
The most well known guest of the weekend, bassist and ‘chief strategist’ Jerry Casale, was accompanied by his trusty wranglers: manager and friend Jeff Winner manned the merch table for the recent reissue of Jerry’s 2006 album while Jerry’s wife, the kindhearted Krista Napp, was also reuniting with friends and places she hadn’t seen in person in years. Knowing both from the internet, I was glad to finally say hello in person. Jeff, a hep cat who had never attended DEVOtional previously, was great to hang around and joke with throughout the night. Krista proved herself to be the older and cooler version of myself that I always assumed she was, never faltering in her friendliness. We stood together with shared friend Kati to watch Jackson Leavitt’s hyperactive Fight Milk set, chatting between songs [get “Wiggly World” back in your setlist, DEVO!]. As the video projection screen screamed with color and Jackson bopped around the stage, we were given a fascinating glimpse into the mind of a new breed of DEVO fan—the Generation Z strain. There were more younger folk in the room than I remembered in previous years, from very small children to teenagers. Having practically grown up at the DEVOtional—I first attended before I had even entered high school—it was interesting seeing the littluns and the bigguns both have their fun. Then again, I was the one receiving mutual respect from Krista, Jeff, and others I looked up to despite age disparities. It was as if we were all old friends. There were no generation gaps, but we were all DEVO.
And who is more DEVO than Jerry Casale? I met him face to face once at my first DEVOtional over three years prior, and he might as well have been meeting an entirely different person. On Saturday, I was granted the chance to meet him as the person I have become since then. The times I got to speak with him across Saturday and Sunday were the most soaring highs of the weekend. We talked in truth, and he responded to me with genuine appreciation and interest. I got to see firsthand the humility he maintains while retaining passion and pride for the work he’s done. Considering my previous positive experience, I wasn’t not expecting it, but it was gratifying to be on the receiving end after such a long wait. I don’t listen to interviews with Jerry as much as I used to—his frequent devolutionist doom-and-gloom zeal, while truthful, is best ingested in moderation, especially when college applications and other investments for the future are being made. But in a few of the more recent ones I’ve heard, he’s cited the enthusiasm of the youth, that new generation, as a vital source of encouragement. It was fitting, then, that he showed someone like me respect. He seemed delighted when I told him I had my target set on his and Krista’s alma mater, Kent State—my own duty now for the future. I felt as if, finally, someone outside of my isolated small town bubble thought I was worth talking to. He had no obligation to be in that room, but he showed up anyway. He treated the people he met with respect and dignity. It was a true honor to feel so valued.
Jerry disappeared after a riveting performance of “Girl U Want” with local teen punk group Detention; their female lead singer Elliott sang the lyrics in first person right beside Jerry, who sang in third person. The group surged with youthful energy, knocking the performance of theirs I’d seen at 2019’s 5KDEVO out of the water. They were noticeably more comfortable with their position as local rock stars than they had been two years ago. They were also even better at physicalizing the raw emotions that come with teen angst, yet that clearly didn’t stop the oldsters from having a ball right along with them. The aforementioned Fred Armisen even joined in their final song, a ditty entitled “Fist Fight In The Parking Lot.” TEEN ANGST!
The explosion of energy that Detention brought was hard to follow up. Al Mothersbaugh’s Massive Hotdog Recall—Mark and Bobby’s cousin—did a damn good job of doing so, injecting classic DEVO tunes with horns, green visors, and one face plant. My initial disappointment of not being able to give Jerry a formal goodbye was washed away in a flash as I couldn’t help but let myself loose.
DEVOmatix, an Atlanta based tribute group who have been an end-of-the-night staple for the past few years, were next, serving a mixture of fun DEVO covers and entirely original songs, a daring move for a DEVO tribute band to make. Nonetheless, not shabby.
The rest of the night after Al’s band was more low-key on my end, though that could not be said for the more rowdy attendees. The final group, The Super Thing, was a lighthearted super group of members of bands who had played earlier. This was apparently a signal for everyone who had been drinking throughout the night to let loose like there was no 5K in the morning—not that most of them were running it, anyway. A football playing spaceman in a long matted black wig had been running around since early on in the day, and he was still filled with energy despite being stripped of his wig and subject to runners in his uniform. A green-bobbed Holly Hobbie was also bopping around, sometimes shielding her face from boy cooties with a reflective visor; she wore red hair and a J-Pop Strawberry Shortcake getup the previous night. A relatively normally dressed man who had been getting visibly more and more jittery as the night wore on made it known that he wasn’t just a new waver: “PLAY ‘IRON MAN!’ PLAY ‘IRON MAN!’” No Black Sabbath songs were performed. The playful drunken mayhem was extremely amusing to watch from my folding chair. By the end of the night, a strange monument to the insanity I had just witnessed was installed in the corner of the room—a puffy rainbow coat decorated with the spaceman’s armor and hat wrapped on some sort of mannequin. It was a beautiful sight.
Eventually the super group performed their last song and the lights switched on. Party people said their goodbyes and organizers began to clean up. We parted ways with friends old and newer for the night. Jeff the rookie admitted he was glad he had stuck out for the long haul; he ended up really enjoying himself. I couldn’t see why anyone wouldn’t have.
The next morning, I got up, donned my running gear, waved goodbye to the hotel, and headed down to Akron, the site of the weekend’s grand finale: the 5KDEVO. Most of the others who attended the previous night didn’t follow suit. I could see why. I still had energy within me to run three miles; I had been training for over a year at that point, and I wasn’t going to let the opportunity to show my stuff go to waste. I didn’t. I earned the third place trophy in my age group and set a personal record.
The race’s aftermath was forced to bend to that force that humans have been bending to more and more in recent years: the weather. The efforts made to defy the cold, including taking refuge in a cheesesteak parlor, were understandable, but the event in turn lacked the fanfare of the sunny late July installment of the race I had ran two years prior. A strings and flute performance of DEVO songs by a chamber quartet was worth running the race to watch, yet the low-key nature of the post-race in general, in no intended offense to the race’s organizers, felt a little anticlimactic. Maybe everyone just wanted to get it over with as the cold took hold of them. Maybe some of them wanted the overwhelming weekend to end quickly and painlessly. Yet even being left in the cold as the scene winded down couldn’t damper the warmth I was still feeling from earlier.
We moseyed to the parking garage where our car was waiting to take us back to the real world. One thing was certain: I had a new standard of living.
Thanks Nick, Michael, Tim, Jeff, and everyone else who helped make DEVOtional 2021 happen!
I apologize for the long posting break I’ve been on. I haven’t written anything in a few weeks due to a combination of business and self-preparation for this very weekend.
I’ll be attending the DEVOtional in Ohio and the coinciding 5KDEVO for the next few days. The in-person event last year was replaced by a live stream thanks to our lovely friend COVID-19, so I expect a triumphant and exhilarating return. Having attended the last two gatherings before COVID put the kibosh on them, my head and my hopes are high for my third. Expect many recollections and photos after the weekend has wrapped up.
DEVOtion, Day Two
Tuesday, September 27th, 2022And then the nerds re-congregated, and DEVOtional Saturday happened.
And what a de-evolved time it was.
The Jimmy Psycho Experiment, who have been DEVOtional openers for a few years now, set a relaxed mood well with their tiki-loungey versions of everyone’s favorite DEVO hits. Attention soon shifted towards the many special guests, whose Q&A sessions took up a good chunk of the night. Good old Mark was back for round 2, though he was slightly more subdued when compared to his misdemeanor on Friday. DEVOtional old timer Jerry Casale, who almost always comes out to support the fans, brought with him the music video premier of his next single, “The Invisible Man.” Without spoiling too much for everyone who wasn’t there, it was hands-down one of the most amusing things I’ve ever witnessed, and it only makes me more fascinated about what exactly goes on within Jerry’s mind that could make him conjure up something so perfectly, undeniably wack. But you’ll all see it in a few months.
Steve Bartek, the guitarist on Jerry’s recent music who is best known for his work with Oingo Boingo, joined Jerry in looking very smart and answering questions. I didn’t get to talk with him at all, but he seemed like a really genuine guy. The dark horse of the program, however, was one Michael Schwartz, better known as Rod Rooter, DEVO’s evil manager from way back. Throughout the night, Mike seamlessly incorporated his character into his talk-talk to the point where I initially genuinely wasn’t sure if he was joking or not when he discussed being the first white guy on King Records with a song produced by James Brown. (Spoiler alert: he WASN’T).
Sometime before DEVOtional started, Max had the brilliant idea of making Rod an entire election campaign which proceeded to snowball from a joke to people on Facebook actually buying made-to-order polo shirts emblazoned with the phrase “America’s Begging For The Barrel Room.” The virus had spread so far that Max didn’t even have to give Mark one of the campaign buttons he was handing out; he had already been given one by someone else. With Mike’s charisma and wit, I wouldn’t hesitate to vote in his favor, and I can’t help but hope he becomes a mainstay. (“The Man” did approve of Max’s effort, by the way.)
Max signed one of his posters for him while I stood by, causing him to ask Max in character, “Is THIS your GIRLFRIEND?” Max would go on to be very fixated on the fact that Mike was a few hours early to the punch on that.
Jerry, Mark, and the rest were signing items for hours. I heard someone say their autograph session clocked in at over three hours, which blows my mind and makes me want to pray atheist style for their dominant wrists. Max used the opportunity to gift Mark and Jerry bags containing some of his original music and hand decorated lab coats, with airbrush art for Marky and colorful tampons for Jer-Jer, while I stood by as photojournalist and emotional support.
(Jerry sadly didn’t try it on for us in person, but the photo he uploaded later more than makes up for that.)
I wasn’t immune to the photo opportunities, either.
All the while, Al Mothersbaugh’s band, Massive Hotdog Recall, brought the party as usual, proving that “Shout” can be a good song if you add some non-synthetic, whip-spankin’ horns to it. New Devolution, an energetic tribute band who came all the way from Chile to perform, followed by plowing through high-power early 80s DEVO tracks. The fun factor was through the roof as the spontaneously generated giant helium balls the crowd was serving around threatened to make a dent in it.
After the raffle, which I did not win anything at, the highly anticipated Fight Milk, who were not balls, took the stage. They exemplified the fun factor just like last year, but having more than one guy on the stage again (while retaining last year’s cardboard cutouts) totally elevated their energy. Alongside Jackson, the band’s creative mastermind and sole constant, it was great having Tavi from Finland back onstage, whether he was flashing a creepy smile at the audience with down pitched vocals or scurrying around the stage wrecking his guitar strings. Those boys be DEVO.
Max was also making his live performance debut, and he absolutely killed it. Not many other DEVOtional performances would both perform a song that hadn’t been performed since 1974 and make the live debut of Jerry’s latest single. (TAKE THAT, OLD MAN! Just kiddin’.) Max took lead on both, and it was so great seeing him in his element. It truly wouldn’t have been the same without him up there in that goddamn tampon coat hurling his Rod Rooter buttons at the crowd. I even caught a photo of one in mid air! I love blinding everyone with the flash from my camera.
Detention finished off the night, though I sadly didn’t get to see most of their set because, deja vu, I was too busy having a conversation in the Ballroom’s bar the room over. (I got to hear their Steve-tribute cover of Oingo Boingo’s “Little Girls” in muffled format, though!) At least I did get to chat with their singer Elliott, who I’ve bumped into a few times on the Kent campus, beforehand. Us Kent chicks gotta stick together.
And then, just like that, the night had winded down. Everyone packed up, stumbled out of the ballroom, and hit up Ubers back to their hotels. And then it was over.
Did it beat last year’s for me? No. That year was too special! But I’ll gladly let it be the first loser.
And hey, I got a boyfriend out of this one, so I guess that’s a plus.
Tags:concerts, Detention, DEVO, DEVOtional, DEVOtional 2022, Fight Milk, Jerry Casale, Mark Mothersbaugh, Massive Hotdog Recall, Michael Schwartz, music, my boyfriend, New Devolution, Oingo Boingo, photo opportunities, Rod Rooter, Steve Bartek, tampon coat, The Jimmy Psycho Experiment, things I enjoy, Zhir Vengersky
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