Posts Tagged ‘The Black Cat’

Miss Washington DC

Thursday, June 29th, 2023

Weekend bullet points:

  • Smash! Records is great as always, and I noticed they have a Boomtown Rats photo on their beam. PUNK. Any record store that puts Shudder To Think and Nation of Ulysses CDs on the shelf is the real deal. Also PUNK.
  • W.I.T.C.H. and Death Valley Girls at the Black Cat Friday night. Exactly the tonic I needed. DVG ended their set with “Disaster (Is What We’re After)”, or one of the best modern psychedelic rock songs, during which I got to experience my first true “pit” as opposed to flinching on the periphery. My nose got bonked. Deliscious. Then W.I.T.C.H., whose name stands for “We Intend To Cause Havoc”, did exactly what they intended to do. I love getting myself lost in music, especially recently. It’s the closest I have to a religion, having never done drugs. Getting a brand new sonic prescription, not just through headphones but supplied directly through booming amplifiers, to truly lose myself in a dark room for a short while, was exactly what I needed. To let my head bang in whatever direction it wanted to and let it swell a little. A guy in a well fitting Jesus Lizard(!) shirt, tight pants, and combat boots was totally losing it right up against the amp for W.I.T.C.H.; I saw him around a few times throughout the night between bands. These are the things I like to see.
  • The Air and Space Museum is only half open for continuing renovations. What is open to the public is dazzling. I don’t really care about planes other than the uniforms of their stewardesses, but funky colored lights showcasing worldly posters about interconnection and a watch used to keep Martian time are my kind of deal.
  • The Hirshhorn reminds the public that we wouldn’t have Infinity Rooms without sixties anti-war abstraction and naked people frolicking in the street. It was great finally seeing some of Yayoi Kusama’s work in person. An exhibition of contemporary Chinese photography really enlightened me. Work under dictatorship.

Repetition, insanity, neurosis, shining stars within conformity, hum de hum de hum…

  • The Holocaust Museum is a uniquely exhausting experience. A necessary and perspective-expanding one, but still exhausting. You reach a point where you’re trying to comprehend a placard only to slowly realize that your brain can’t take any more comprehension to begin with. You experience a very unique kind of weight and gravity. Everyone should go once in their lives.
  • The U.S. Capitol needs a new drain pipe.

Everything Old Is Old Again

Wednesday, July 27th, 2022

Ah, my first post from my brand new MacBook! It looks and feels exactly the same as my previous machine, albeit with twice the storage and twice the memory. A weird part of me wishes the jump in unfamilarity was bigger, but I’m more than satisfied that I’ll be experiencing much less of the dreaded rainbow swirl of death in the future.

The summer is coming to a close, but with a bang instead of a whimper. The weather is finally cooling down in my neck of the woods, but all of last week was scorching beyond belief. I spent the weekend in DC a good two hours closer to the equator than I usually am, so I really got to feel it.

The (first) main attraction: Jawbox, round II, at the Black Cat. It was an extremely fun time—so fun, in fact, that I didn’t take that many photos because I was just too into it! They opened with my favorite song of theirs—“FF=66”—and ended with their cover of a Tori Amos song that I’d actually been hoping they would play the first time I saw them. It’s just really entertaining hearing the badass angsty dude that is J. Robbins declaring he “never was a cornflake girrrrrl!” And it just rocks in general when they do it. Scientifically proven, I would assume. It was great.

We visited the Smithsonian the next day, braving the oppressive heat to do so. I wish the Air and Space Museum had been open—it’s undergoing renovations. But the Museum of American History did not disappoint. Every part we walked through was immersive and gorgeously, intelligently curated. The place really speaks for itself.

Take the sprawling tree of presidential campaign ads, arranged in chronological order and swerving over the clusters of museumgoers. Immaculate.

There’s a temporary exhibit going on there right now entitled Girlhood, which explores the evolution of the titular age frame in America. It was interesting, but I guess being on the edge of proper adulthood made it the slightest bit uncanny to me. I also cannot get over how much it bugged me having to hear “Rebel Girl” by Bikini Kill twice as I milled about the exhibition space. Do I understand the song’s historical significance? Yes. Are there more “underground” female musicians that matter from back then than solely Kathleen Hanna? Yes! (Ugh, I’m such a nerd.) Later I even saw Le Tigre tickets (ironically from the venue we’d just been at the previous night) on display in another part of the museum alongside some old zines as an example of WOMEN being DEFIANT with MUSIC in the NINETIES. At least they had some Sleater-Kinney stubs there, too.

I guess I’m just frustrated with modern day hero worship. Cults of personality are fascinating to me. And strangely enough nowadays it seems more and more people are obsessed with being the master of their own niche domains as opposed to seeking widespread acclaim. Forget being the next Kim Kardashian—feeling like you’re the next Kathleen Hanna alongside similarly dressed peers with similar music taste is more relatable (and attainable). Doing the exact same things her circle did, especially in a time where her previously scorned actions are gaining more acceptance, is more comfortable than trying something new, something more culturally dangerous. What’s ironic is that the idols that we’ve collectively built out of these countercultural gamechangers would rather their worshippers try to pave some new ground instead of retreading what has now become safety net cliche.

Didn’t you know that being a cookie cutter punk is more rebellious and meaningful than ever when Machine Gun Kelly is allowed to strut around with pink hair on his head and dumb Sid ‘n’ Nancy fantasies in his brain? What perfect role models for a generation of increasingly volatile youth struggling with mental illness and 21st century stress. And when being a starving artist is in (no “sellouts” here), doesn’t that mean affording self care and security is the peak of uncool?

As the world continues to implode, self stagnation has never been so hip. I wonder how Kurt Cobain would feel.

Know your history. Avoid trends. Hop on them. Stop caring what others think of you. Get famous. Fight the power.